Microdramas, a form of serialized short video entertainment with episodes usually lasting between one and five minutes, have rapidly evolved from a niche phenomenon in China to a global force in the media landscape.
The role of artificial intelligence (AI) in live production has grown a lot in the last couple of years. Operations once requiring complete teams of editors, subtitlers, data analysts, and graphics operators are now often controlled in real-time by machines.
Typical weekend: you’re curled up on the couch, phone is away, and you’re diving into the latest show everyone’s talking about. Your biggest worry is whether your favorite character will make it.
If there is anything still generating large viewership numbers when it comes to live broadcasts, it’s sports. Regardless of continent or country, live sports remain the main magnet for people to turn on the TV, gaze at the laptop, the tablet or phone and follow the drama as it happens.
Ukraine continues its fight for survival against the Russian invaders whose goals remain the same - annihilate as many cities as possible
In the ever-evolving landscape of European television and streaming, fiction projects from Central and Eastern Europe (CEE) are increasingly finding their footing on the global stage.
The FAST (Free Ad-Supported Streaming Television) market in Central and Eastern Europe (CEE) is showing signs of evolution, with two markets leading the way - Poland and Ukraine.
In recent years the landscape of young adult and coming-of-age dramas in Central and Eastern Europe has undergone a dynamic transformation, marked by local original or adapted series that resonate not only with teenage audiences but also with their parents.
The Monte-Carlo Television Festival’s Business Content program this year offered an extensive discussion focused on the ever-evolving landscape of non-fiction with its “Documentary Storytelling” panel.
One Hundred and Thirteen shades of guilt, love, death and forgiveness at the Monte-Carlo TV Festival
The German-Austrian co-production Hundertdreizehn (One Hundred and Thirteen), nominated for a Golden Nymph at this year’s Monte-Carlo TV Festival, is a series that defies conventional storytelling.
The Canadian series Deepfake (L'Indétectable), produced by Sphere Media, has been making waves internationally after its nomination for a Golden Nymph award at this year’s Monte-Carlo TV Festival.
Opening the Business Content program of the 64th Monte-Carlo TV Festival, the panel "Public Service Broadcasting: Its Future in the Evolving Landscape" gathered.
