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In mid-September, Ziad Kebbi, one of the most-prolific producers in the MENA region, joined the Dubai-based prodco MFORMEDIA
Microdramas are now rising rapidly in popularity across the globe.
For years, the story of streaming was written primarily by Netflix, Disney+, Prime Video, and a handful of other global platforms.
This year, NEM Dubrovnik celebrated its biggest ever edition, marking a major milestone in the nearly 15-year history of the industry event focusing on the media business in Central and Eastern Europe.
As global production models continue to evolve, Canadian producers are looking beyond traditional financing structures to build deeper creative partnerships with Europe.
Sam Barnett took over as CEO of Central European Media Enterprises (CME) in May 2025 after more than two decades at MBC Group, where he transformed the Middle East broadcaster into a regional media powerhouse and oversaw the rise of Shahid, now the Arab world’s largest streaming platform.
For more than three decades, Hojin Kwon, Ph.D. has been helping Korean television find audiences beyond its borders. Today, the SBS Media Group executive is recognized as one of the pioneers of the Korean Wave
Long before international co-productions became the industry's preferred model and years before streaming platforms changed the global content landscape, Rola Bauer was helping build ambitious dramas that brought together broadcasters, producers and financiers from multiple countries.
Mary Bennet has long existed on the margins of Jane Austen's Pride and Prejudice: the awkward middle sister, more comfortable with books than ballroom flirtations, often remembered for her earnestness rather than her charm.
One of the most intriguing titles in competition at this year's Monte-Carlo Television Festival was Jones, a Portuguese mystery series that blends the elegance of an Agatha Christie-style whodunit with an unexpected supernatural twist.
At the Monte-Carlo Television Festival, the creative team behind the new British psychological thriller Gone which was part of the Golden Nymph competition, offered a revealing glimpse into a series that uses the familiar framework of a missing-person investigation to explore far more unsettling questions about masculinity, grief and the ways people judge what they cannot understand.
