A year ago, there were lots of discussions about the rise of streaming platforms and how they could potentially revolutionize the CEE markets. Now we know – the revolution is not happening.
Ukraine continues its fight for survival against the Russian invaders whose goals remain the same - annihilate as many cities as possible
In the ever-evolving landscape of European television and streaming, fiction projects from Central and Eastern Europe (CEE) are increasingly finding their footing on the global stage.
The FAST (Free Ad-Supported Streaming Television) market in Central and Eastern Europe (CEE) is showing signs of evolution, with two markets leading the way - Poland and Ukraine.
In recent years the landscape of young adult and coming-of-age dramas in Central and Eastern Europe has undergone a dynamic transformation, marked by local original or adapted series that resonate not only with teenage audiences but also with their parents.
In a region where funding is scarce and creative risk is often discouraged, Teodora Markova and Martichka Bozhilova have set up on a path
Detective von Fock is not only Estonia’s most expensive and most complex TV series production to-date, but also an excellent example of how international co-production initiatives could bring to life some thrilling stories from small Estonia to the global TV markets.
Sangerim Zhakhina, Sales Manager for CIS, CEE, and Baltics, will be representing Kanal D International at NATPE Budapest 2025.
Cineflix Rights has made a name for high-quality content which enjoys steady popularity among CEE viewers.
OGM UNIVERSE is among the youngest but also among the fastest growing Turkish distributors on the international market.
Czech series having been making their mark on the international TV scene first by winning major awards and more recently by entering the catalogs of some major distribution companies.
