Is the CEE content market really booming? And are international streamers like Netflix, Max, Disney+, SkyShowtime, Amazon, etc. going to “redefine” the local market with their original content? Not really.
It is indeed hard to speak of the CEE region as a single “body” due to the big differences characterizing the markets from one country to another.
Beta Film is among the pioneers in co-producing and distributing original series across the CEE region and then successfully taking them to the international markets.
Anna Maslowska joined Fremantle as Director of Distribution for Central and Eastern Europe (CEE) in February this year, and is representing the company at NATPE Budapest for the first time.
In a quick Q&A session, we asked some of the leading Turkish distributors about their NATPE Budapest highlights, latest deals and the trends on the Turkish drama market.
Peter Núñez leads Slovakia’s leading independent production company NUNEZ NFE which stands behind some of the biggest TV hits in both Slovakia and the Czech Republic.
Ukraine’s leading independent producer SPACE Production is betting big on this year’s edition of NATPE Budapest with a catalog led by the fresh hit crime series C.
Kim Poder, Antenna Group Chief Operating Officer, will be one of the top speakers at NATPE Budapest with the premiere of Brunico’s Fireside Chats in Budapest.
In this exclusive interview with Georgi R.
Into the third year of Russia’s full-scale invasion of Ukraine, the country’s leading media holding Starlight Media not only continues to operate with excellent results.
Daniel Grunt, Chief Digital Officer CME and CEO of Czech TV Nova, and Yako Molhov discuss the latest developments within CME’s media business.
There is a lot of talk about some “boom” in Central and Eastern Europe, but to anyone who knows the region well things have not changed much in the past two years: it is still hard work and hard-earned cash, and nothing glamorous about it.
