Ukraine continues its fight for survival against the Russian invaders whose goals remain the same - annihilate as many cities as possible
In the ever-evolving landscape of European television and streaming, fiction projects from Central and Eastern Europe (CEE) are increasingly finding their footing on the global stage.
The FAST (Free Ad-Supported Streaming Television) market in Central and Eastern Europe (CEE) is showing signs of evolution, with two markets leading the way - Poland and Ukraine.
In recent years the landscape of young adult and coming-of-age dramas in Central and Eastern Europe has undergone a dynamic transformation, marked by local original or adapted series that resonate not only with teenage audiences but also with their parents.
The Monte-Carlo Television Festival’s Business Content program this year offered an extensive discussion focused on the ever-evolving landscape of non-fiction with its “Documentary Storytelling” panel.
One Hundred and Thirteen shades of guilt, love, death and forgiveness at the Monte-Carlo TV Festival
The German-Austrian co-production Hundertdreizehn (One Hundred and Thirteen), nominated for a Golden Nymph at this year’s Monte-Carlo TV Festival, is a series that defies conventional storytelling.
The Canadian series Deepfake (L'Indétectable), produced by Sphere Media, has been making waves internationally after its nomination for a Golden Nymph award at this year’s Monte-Carlo TV Festival.
Opening the Business Content program of the 64th Monte-Carlo TV Festival, the panel "Public Service Broadcasting: Its Future in the Evolving Landscape" gathered.
Famke Janssen was one of the many celebrities who graced the blue carpet at this year’s Monte-Carlo TV Festival.
Vanguard, the gripping Swedish drama series chronicling the life of telecom and media mogul Jan Stenbeck, made a sweeping impression at the Monte-Carlo TV Festival, taking home the Golden Nymph Awards for Best Series and Best Actor, awarded to Jakob Oftebro for his portrayal of the divisive businessman.
As part of the Monte-Carlo Television Festival’s Business Content program, a dynamic panel titled “Women in Television” brought together strong female voices from across the audiovisual industry.
At this year’s Monte-Carlo TV Festival, the Business Content program featured a panel titled That’s (AI)Entertainment!, where industry leaders gathered to dissect the transformative—and often controversial—role of artificial intelligence in the creation, development, and distribution of film and television content.
